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Saturday, May 11, 2024

Sam Evian’s new LP ‘Plunge’ is his most private but : NPR


Scott Simon talks with musician and indie producer Sam Evian about his fourth LP, “Plunge.” Evian says the file is his most private but and it touches on themes of household, despair and sobriety.



SCOTT SIMON, HOST:

Indie producer Sam Evian, who has labored with actually huge acts, like Massive Thief, says he’s at all times so intent on making issues good for different artists. When it is time to do one thing for himself, nicely, he’d like one thing completely different.

(SOUNDBITE OF SONG, “JACKET”)

SAM EVIAN: (Singing) Irrespective of the place you have gone, it is by no means too late, expensive, to say that you are the just one. Daily and night time feels so fallacious…

SIMON: His fourth LP, “Plunge.” Sam Evian had a little bit assist from his pals to create a wild and roaming set of songs which might be deeply private, soulful examinations of sobriety, household, life and love. Sam Evian joins us now from his upstate New York studio, Flying Cloud. Thanks a lot for being with us.

EVIAN: Thanks a lot for having me. I am a longtime listener and a first-time caller.

(LAUGHTER)

SIMON: Nicely, thanks very a lot for becoming a member of us. And let me ask you about the place you are situated in the intervening time, your studio within the Catskills. It performed an enormous function in “Plunge,” did not it?

EVIAN: It very a lot did. It is my life’s work, this studio. And I spent a while in Brooklyn. , New York Metropolis is a hustle. And it is wonderful. The inventive vitality there may be so distinctive. However I in the end sort of, like, hit a wall. I wanted extra space, and I wanted my very own house. And so I regarded upstate. And there is a tremendous historical past and pedigree up within the Catskills for artists developing right here to work and discover peace and quiet.

SIMON: However I’ve additionally learn you wished this file to really feel uncooked and wild.

EVIAN: Yeah, positively. I imply, a part of my job is hospitality. I imply, I take a look at operating a studio like operating a resort, particularly when it is up in the midst of nowhere. I imply, folks come and keep for every week, two weeks, typically even longer. Ninety p.c of my job is simply sort of taking good care of folks, and in that typically I overlook to maintain myself creatively. So after I do decide to one among my very own tasks, I attempt to let my creative chaos sort of, like, thrive greater than normal.

(SOUNDBITE OF SONG, “FREAKZ”)

EVIAN: (Singing) By no means fallacious and by no means proper, hold the devils out of sight. Make the cash, by and by, hold it free, however maintain it tight. You’re at all times so enjoyable.

SIMON: Can we hear your mother and father on this file?

EVIAN: You hear of them. I used their story as a lens to sort of take a look at myself. They usually’re additionally musicians. They usually gave me life and music. And in investigating them, I see myself. It is probably the most sincere and true file I’ve ever made.

SIMON: What was exhausting to speak about or sing about?

EVIAN: Nicely, one, I imply, I am – I like my mother and father, and I am not attempting to forged any type of adverse imaginative and prescient on them. However, you understand, life is tough, particularly if you’re artists, like they’re.

(SOUNDBITE OF SONG, “WILD DAYS”)

EVIAN: (Singing) I do know in my coronary heart how exhausting it should be to go on residing in the way in which that you just as soon as lived.

EVIAN: They have been by the wringer, and so they’ve been up and down and throughout. And I used to be with them for portion of that. So I assume it is like remedy, however that is what music is for me.

(SOUNDBITE OF SONG, “WILD DAYS”)

EVIAN: (Singing) Everybody will name you caring down the road. They’ve all of it right down to a dwell wire. And it is wild days, wild days.

SIMON: Inform me concerning the tune “Wild Days.”

EVIAN: Nicely, it is written from my mother’s perspective, and it is about breaking out of one thing. However then once more, wherever you go, there you might be. So it is in reference to her going to spend a while in Massachusetts in a city the place she grew up, which is named Rockport. It is stunning. It is on the ocean. And I believe she sort of rediscovered herself. I can relate. I believe it is so common. And it is simply – it was an exquisite factor for her. And I used to be so compelled to look into it and examine it.

SIMON: What sort of affect did your mother and father have on you as musicians, as a lot as your parental items?

EVIAN: Each sort of affect, to be sincere. They’re jazz musicians. My dad is a tremendous jazz guitarist.

(SOUNDBITE OF SAM EVIAN SONG, “WIND BLOWS”)

EVIAN: I used to be born outdoors of Syracuse, N.Y. and we grew up – I grew up in a city known as Cazenovia. So my people had a home within the nation. It was an previous farmhouse. That they had a studio there, and my dad was at all times having musicians over to play and rehearse, and so they have been always gigging. They usually’re sort of from this period of musician, which I, you understand, it is – I suppose it is sort of pale away.

(SOUNDBITE OF SONG, “WIND BLOWS”)

EVIAN: (Singing) So lengthy, my expensive. So lengthy, the rodeo. None of us know which approach the wind blows.

But it surely was once that you might exit and make a residing gigging in bars, eating places, lodges, you understand, taking part in jazz requirements. Again then, it was possible. You might do it with out being, like, an, you understand, a touring act or one thing. So simply – I used to be at their gigs from the time I used to be – nicely, really earlier than I used to be born. , my mother was singing by her being pregnant, so.

SIMON: Let me ask you a couple of observe known as “Why Does It Take So Lengthy.”

(SOUNDBITE OF SONG, “WHY DOES IT TAKE SO LONG”)

EVIAN: (Singing) How does it take so lengthy to get on by?

SIMON: Are you making veiled or not-so-veiled references to sobriety?

EVIAN: I can let you know, as a musician who performs in venues and does the social dancing of our business, that alcohol is all over the place.

(SOUNDBITE OF SONG, “WHY DOES IT TAKE SO LONG”)

EVIAN: (Singing) Inform me why. Why does it take so lengthy to really feel?

After I was writing “Plunge,” I used to be sort of at a second the place I wanted to vary, and I used to be self-medicating, getting by the winter. The title would not essentially simply come from chilly plunging, however I really ended up sort of falling into that tradition as a result of I wanted one thing to sort of shock my system.

And there is this stunning creek that wraps across the studio. There is a part of it that is about chest excessive, and I simply began going into the creek day-after-day of the winter, and it sort of reformatted my mind chemistry, and it made it rather a lot simpler to place the drink down.

(SOUNDBITE OF SONG, “WHY DOES IT TAKE SO LONG”)

EVIAN: (Singing) Holding on, by no means gone, I’m simply standing beside you. It’s not proper holding on so lengthy.

SIMON: Sam Evian. His new LP is “Plunge.” Thanks very a lot for being with us. And possibly will not see you on the creek, however good swimming to you.

EVIAN: (Laughter). Nicely, please drop by anytime you are within the neighborhood.

(SOUNDBITE OF SONG, “WHY DOES IT TAKE SO LONG”)

EVIAN: (Singing) It is not proper. Let it go.

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NPR transcripts are created on a rush deadline by an NPR contractor. This textual content is probably not in its remaining kind and could also be up to date or revised sooner or later. Accuracy and availability might fluctuate. The authoritative file of NPR’s programming is the audio file.

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