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Nigora Tokhtabayeva Designed the Trophy for Vogue Belief U.S. Awards

Nigora Tokhtabayeva developed her love of bijou from her grandmother in Uzbekistan, who believed within the religious and protecting energy of amulets and different jewellery.

It was one of many causes the younger Uzbek jewellery designer began her personal sustainable jewellery model, known as Tabayer, in Miami the place she grew up as a teen. Her trendy knot hoops have been worn by Tracee Ellis Ross, Meghan Markle, Gwyneth Paltrow and plenty of extra celebs.

With sustainability in thoughts, Tokhtabayeva was chosen to design a trophy for Vogue Belief U.S.’s second yr of handing out awards to younger designers at a Los Angeles ceremony on Tuesday night time.

“We’re immensely honored to collaborate with Tabayer on the trophy design for this yr’s Vogue Belief U.S. awards,” mentioned Tania Fares, founding father of Vogue Belief U.S. “It’s essential for us to align with creatives who not solely share our imaginative and prescient but in addition embody our ethos of fostering and nurturing innovation within the style business. We’re excited to unveil the [trophy] design and are assured it can mark a memorable spotlight of this yr’s ceremony.”

The Tabayer design workforce determined to create a handheld sculpture quite than a bigger trophy just like the one introduced final yr in a creation imagined by jewellery designer/sculptor Ana Khouri, who is predicated in New York however initially from Brazil.

The Vogue Belief U.S. trophy.

Tokhtabayeva’s handheld model is modeled after the jewellery designer’s Oera motif, which employs a gold line that loops round like a needle and thread, as seen in Tabayer’s assortment of rings, bracelets and necklaces. That design was “vital to create a stress and stability throughout the sculpture to characterize every designer’s journey to attaining inconceivable feats in their very own approach,” the jewellery designer defined.

Tokhtabayeva, who’s on the FTUS advisory board, solid the trophy in bronze and completed it with 18-carat fair-mined gold, which was positioned atop a concrete base. The trophy’s rivet particulars are an homage to the U.S. style business’s historical past with long-standing clothes firms like Levi Strauss & Co., which started promoting work put on blue denims within the 1870s.

“We wished to strategy the design of this trophy as a sculpture,” Tokhtabayeva mentioned. “Hopefully, will probably be one thing that the award winners will need to proudly put of their houses as a bit of artwork.”


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